SM57 | %%EOF Over the last few years this has been changing along with the broader availability of reasonably priced and quite robust LDCs, although rather than being used for vocals, in the live domain the most popular applications have been guitar and bass cabs, brass, woodwinds and drum overheads. The 20Hz – 20kHz frequency plot looks flat across the midrange with a small, wide bump at 50Hz and an uneven rise from around 3kHz reaching a peak of +4dB at 7kHz. KSM137 | User guides for discontinued Shure products. Audio conferencing processor offers IntelliMix DSP algorithms optimized for audio/video conferencing applications. Beta 87C | VP64A,VP64AL | SM63 | The pickup pattern is cardioid-only and on the back there are switches for a 15dB pad and two LF roll-off settings. The engine inside the SM27 is a one-inch externally biased Mylar diaphragm that feeds a Class-A transformerless preamp. SM57 Beta 56A | 0000087832 00000 n My final live test involved noisy bands in a noisy town hall. 450 Series II| They’re used in some acoustic styles like bluegrass and classical music but they’re generally considered too big, too delicate, too expensive, too hard to use without a pop-shield and too prone to feedback for rock. The only slight negative was a tendency to emphasise sibilance but this was compensated for by the overall richness of the sound. KSM313| 0000084411 00000 n Not my favourite type of show and not the occasion to appreciate subtle differences between vocal microphones… it was more a case of: ‘Can I hear the vocal at all over this racket?’. And the simple answer is: yes! c��:q��V�31����(��QL���6~�?�e">�x�� ��H1���]yl��W�H��Oλ���U�cEb�V��7^ >��QbN�aV�m\v��w#P�F�¥ ��w)LعZbbN/�z�D��s�m.^^sJ�4�L���o�~�V�U("A��`��u#8.t����@�t�ؙ�Z��y���~�1I �0AgU�L��U�3A箮7�m]���9���������ϰ�����Qx���n���$�x#5��A�nj�01�W#����� Soundstage  | 0000088356 00000 n KSM137 | 0000083872 00000 n KSM141 | The mids were smooth and rendered good body to the skin drums and the lows went all the way down to the floor, more than adequately representing the deepest instruments. MX183 | The vocal always seemed to be in the right spot and it seemed to reduce the need to ride the fader to follow loud and soft sections. 0000079874 00000 n 7 posts • Page 1 of 1. SM137 | I haven’t seen a good stage trashing at the end of a set for some time but the Wagons were obviously excited about their performance and a good part of the drum kit and the main vocal mic hit the floor at the end of their last song, scattering mics and making me glad the borrowed SM27 wasn’t directly involved. shure pro audioNext Index1 Beta 52A | 0000001480 00000 n KSM109 | 0000091867 00000 n 0000083834 00000 n SHURE INCORPORATED KSM27 CARDIOID CONDENSER MICROPHONE Thank you for selecting the KSM27 Over 75 years of audioe xperience hasc ontributed to making theK SM27 one of the finest microphones available. de'&�� �1Agef&���L��W[Lp��LpW 0000018451 00000 n It needed the 15dB pad and some cut in the low-mids, as kick mics often do, but produced a good deep thump with a fat quality that reminded me of the old AKG D12. Map data © 2020 GeoBasis-DE/BKG (©2009), Google, Inst. As well as being functional the switches make it easy to tell the front from the back in low light; I’m sure I’m not the only person to have occasionally set up a side-address mic on a dark stage and ended up with it pointing the wrong way. Shure KSM27 Cardioid Condenser Microphone. Cookies help us improve performance, enhance user experience and deliver our services. MX180/N | Designed for studio use, but rugged enough for live applications. SHURE Pro Audio 0000091829 00000 n The KSM's are going for about £260-280 The SM's are going for about £240 - 260 KSM141 | 0 Naked Eye | It offers improved sound quality and new looks that are more suited to stage use, and has been designed as a true general-purpose mic that can be used on anything from instruments to vocals to drums. MX180/N | The Shure® KSM27 is a side-address condenser microphone with a cardioid polar pattern. 514B Handheld| Installed Microphone | PG42 | Studio Vocalist | By using our services, you agree to our use of cookies. `SCz��SH,�j wL8�B�[L)�h�b���u�+���+b�|t_o�c�?�d}���9� R�؜��Nw�Z�Ѣ� ;�o��3";L�9w�F`\� ��u�e�3bo1,צر����QG�Ц#��Ij��WD�f8_4��dM|L�LI[�Ro��LC���y�d �ư�c؈e�֓d�!��:���_INN��X�P�T���Q����J The vocal sat easily in front of the band without chasing the level too much and the mic delivered a smooth professional quality with clear diction. 0000025572 00000 n Moderator: James Steele. The Shure KSM27 is a recently discontinued large diaphragm condenser microphone that is initially remarkable for how small it truly is. At soundcheck I offered both the Beta58 and the SM27 to Dave and he tried a song through each. The first-ever dual-diaphragm dynamic handheld microphone specially suited for high-end vocal reproduction and sound-reinforcement control. Beta 98AMP � `TLБ=�39F0�ɍ�r������ �2P�0��c�1L�f�jYp#��|�H�ڕq#؟5.&6�+�pL���yf��5L�-!�gl�$�gh�ɃFz�� 8�X3:'1'�J}fb}n�R�3� The self-noise specification has been improved from 14dB for the KSM27 to a very quiet 9.5dB. If you have any questions that are not answered in this booklet, please contact Shure Applications Engineering at 847-600-8440, Monday through Friday, from 8:00am to 4:30 pm, … El Diablo | endstream endobj 141 0 obj<> endobj 142 0 obj<>/Encoding<>>>>> endobj 143 0 obj<>/ProcSet[/PDF/Text/ImageC/ImageI]/Properties<>/ExtGState<>>>/Type/Page>> endobj 144 0 obj<> endobj 145 0 obj<>stream KSM353 | Your email address will not be published. 503BG |

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